Translation, Citation, and Ridicule: Renart the Fox and Crusading in the Vernacular
Identifieur interne : 000328 ( Main/Exploration ); précédent : 000327; suivant : 000329Translation, Citation, and Ridicule: Renart the Fox and Crusading in the Vernacular
Auteurs : Sarah LambertSource :
English descriptors
- Teeft :
- Ailes, Alexander murray, Ambroise, Audience familiar, Beast fable, Cambridge university press, Camel, Ceste foiz, Columbia university press, Conventional wisdom, Croiz prandre, Crusade, Crusade army, Crusade propaganda, Crusader, Estoire, Exotic specie, First crusade, France tosho, Genre, Giles constable, Helen nicholson, Historia hierosolymitana, James brundage, Kenneth varty, King army, King noble, Lambert, Late twelfth century, Leicester university press, Manchester university press, Many others, Marianne ailes, Medieval audience, Middle age, Military order, Model sermon, Naoyuki fukumoto, Noboru harano, Other animal, Renart, Renart author, Renart corpus, Renart rip, Saracen, Sarah lambert, Satoro suzuki, Second crusade, Sign bearer, Standard bearer, Teutonic knight, Trans, Vols, Walter benjamin, Wide range, Ysengrin.
Abstract
This book probes the nature of the clash of cultures as a process of identification and classification of the unknown. ‘There is no world of thought that is not a world of language and one sees of the world only what is provided for by language’ (Walter Benjamin, 1936). In the medieval Mediterranean, cultural groups were frequently labelled, fixed, and identified by language, and these linguistic groupings were consistently in states of conflict and/or exchange. This collection explores various expressions of cultural clash and exchange, and examines some of the ways in which language was used to express difference, to mark out cultural difference, and to further label those cultures – often as alien and inferior, but sometimes as different and worthy of respect. This theme unites papers coming from a range of perspectives and engaging with a whole series of cultural interchanges and conflicts. It brings together work on a wide range of peoples – Latins, Byzantines, Muslims, and Jews – commenting on and writing about each other, as well as a wide variety of different genres, from theology to farce. This volume seeks to offer a broad and wide-ranging approach to understanding the world at the time of the crusades through the words of participants and observers.
Url:
DOI: 10.1484/M.IMR-EB.1.101130
Affiliations:
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<front><div type="abstract">This book probes the nature of the clash of cultures as a process of identification and classification of the unknown. ‘There is no world of thought that is not a world of language and one sees of the world only what is provided for by language’ (Walter Benjamin, 1936). In the medieval Mediterranean, cultural groups were frequently labelled, fixed, and identified by language, and these linguistic groupings were consistently in states of conflict and/or exchange. This collection explores various expressions of cultural clash and exchange, and examines some of the ways in which language was used to express difference, to mark out cultural difference, and to further label those cultures – often as alien and inferior, but sometimes as different and worthy of respect. This theme unites papers coming from a range of perspectives and engaging with a whole series of cultural interchanges and conflicts. It brings together work on a wide range of peoples – Latins, Byzantines, Muslims, and Jews – commenting on and writing about each other, as well as a wide variety of different genres, from theology to farce. This volume seeks to offer a broad and wide-ranging approach to understanding the world at the time of the crusades through the words of participants and observers.</div>
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